Rina Sherman | Film & Vidéo
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Festivals and Screenings

Avant première : Institut d'Ethnologie, Neuchatel, 2006.

UK première : RAI 10th International Ethnographic Film Festival, 2007

US première: Margaret Mead Film & Video Festival, New York, 2007

French première: La SCAM, 2007

Cinematheque de la danse à la Cinematheque francaise, 2008

XXII Parnu International Documentary and Anthropology Film Festival, 2008

EASA Film, Video and New Media Festival (Ljubljana, Slovenia, 2008

IV Moscow International Visual Anthropology Festival «Mediating Camera», 2008

Amiens International Film festival, 2008

2nd Women's Film Festival in Chennai, India, 2009

16th World Congress of the International,

Union of Anthropological and Ethnological Sciences
(IUAES), Kunming, China, 2009

Dockanema Film Festival, Mozambique, 2009

Pompidou Centre: Vidéodanse, 2009

STV Télévision suédoise, 2009

From the author of When Visitors Come

Version française

Keep the Dance Alive

Rina Sherman

DV, 75 min / 50 min, 2007/8

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excerpt

A film about the music dance and spirit possession practices of the Ojtiherero language-speaking groups of north-western Namibia and south-western Angola.The film explores the various ways in which music and dance transcend their everyday lives from infancy to death.
A unique voyage through the music, dance and spirit possession practices of the Ovahimba communities of north-western Namibia and south-western Angola, Keep the Dance Alive features remarkable footage of how dance and spirit possession is integrated into everyday life from infancy to death.
The documentary presents a singular vision of the Ovahimba people, that of director Rina Sherman who filmed the lives of an Omuhimba family for seven years. She focuses on how singing, rhythm and voice work together with dance and spirit possession to compose a complete imaginary universe and a dense and complex social structure.

Reviews
Keep the Dance Alive
is part of The Ovahimba Years Project, a long-term multi-disciplinary ethnographic study of the Ovahimba and other Otjiherero-language-speaking peoples of northwestern Namibia and southwestern Angola.

"The film itself is quite marvelous, and will be particularly fascinating for those with an interest in anthropology, music, and particularly you ethnomusicologists out there." — Theresa Anasti, Feminist Review

"Sherman's filming is unobtrusive, even in the most intimate of spaces. Some of the strongest moments are those when Sherman both shows and tells us how youth learn these rhythms and movements in and out of various contexts… The film, then, could be useful for classroom discussions, particularly if students have already read about similar practices. In these regards, the supplementary materials and the broader context of the Ovahimba Years project are important to note (www.ovahimba.rinasherman.com), as the film is probably best situated among the larger project's many hard-earned materials… The long-term ethnographic engagement Sherman has achieved cannot be feigned and should be lauded." — Scott Edmondson, American Anthropologist, Vol. 114, No. 1 (Read the full review)

 

American Anthropologist

Visual Anthropology Film Reviews

Keep the Dance Alive
Scott Edmondson

Review in Video Librarian

Review by Bernard Remy of the cinémathèque de la danse

e buy acheter

American Anthropologist

Visual Anthropology Film Reviews

Keep the Dance Alive
Scott Edmondson

Review: Video Librarian

Review: Bernard Remy / cinémathèque de la danse

Divine Caroline Interviews Rina Sherman, Director of Keep the Dance Alive

More

Version française

  
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